Friday November 9 * 8pm * $15 suggested

In the 1980s, Abidjan’s JESS SAH BI & PETER ONE became one of the most popular musical acts in not just the Ivory Coast (Côte d'Ivoire), but broader West Africa, eventually performing with a full band to stadium-sized audiences at home and throughout Benin, Burkina Faso and Togo. Although they’d been popular radio and television performers for several years prior, the catalyst for Jess and Peter achieving this new level of stardom was their debut album, Our Garden Needs Its Flowers, recorded and released in 1985.

In contrast with the heaving funk, disco and reggae sounds of the day, Our Garden Needs Its Flowers was a lush fusion of traditional Ivorian village songs and American and English country and folk-rock music. Jess and Peter sang in French, English and Gouro, delivering beautifully harmonized meditations on social injustice and inequality, calls for unity across the African continent, an end to apartheid in South Africa and the odd song for the ladies, all set against lush guitar riffs, rustic harmonica and rollicking feel-good rhythms. Surprisingly, it’s the first time the album has been re-released in a high-fidelity, legally-licensed form.

Jess and Peter had shared experiences of loving and drawing inspiration from the traditional and ceremonial songs they remembered their mothers singing in their respective hometowns of Barata and Ono. In addition, hearing imported country and folk-rock music over the radio in the early ‘70s was a lightbulb moment for both of them. Jess recalls DJs playing Kenny Rogers, Don Williams and Dolly Parton on the radio in the morning, while Peter notes the significant presence Simon & Garfunkel, Cat Stevens, Crosby, Stills & Nash and Creedence Clearwater Revival had in his listening life. Country music and folk-rock weren’t very popular with the general public. But interest was bubbling up within the growing student population, who connected with the protest sentiments expressed by many English and American artists of the era and loved the sound as well.

“It’s very nice music, with very nice harmonies, and it’s different from what you hear every day,” Peter says. “The language was a big barrier though. You had to learn English to understand the songs, and the students were the ones learning English.” Having access to education along with their awareness of growing social and political inequality and injustice made students the perfect audience for folk music in Ivory Coast.

Now, in celebration of the re-release of their monumental debut by Awesome Tapes From Africa, Jess Sah Bi and Peter One reunite for a series of shows across the U.S., which began in August with well-attended shows in LA and San Francisco.

Maine-based singer, songwriter and guitarist GREG JAMIE combines the textural with the tuneful on his new album, Crazy Time. There are echoes of the dark, eerie qualities of Jamie’s previous work (with his bands O’Death and Blood Warrior), but his solo work inhabits a sonic space all its own. Traditional folk melodies contrast cold, synthetic textures, generating an unsettling tension between intimacy and mystery. The atmosphere evokes both the weight of cold, New England winters and the ethereality of a sci-fi dreamscape. Lyrical themes confront notions of disappointment, inevitability, mental illness and adventure. Elements of the uncanny and playful are embraced in order to avoid predictable patterns and dismantle preconceptions of loner-folk. In his first official solo effort, Greg Jamie has crafted a singular work of disorienting beauty.

Crazy Time was released on vinyl, cassette & digital formats by Orindal Records on January 19, 2018.

TWIN JUDE is an experimental, interdisciplinary artist continually moving throughout the portal that is known as the DMV. Her most recent works entitled, “MĒM”, translates from ancient texts as water, the womb, and complete power. This ethereal project is an ode to identity, self-exploration and healing by connecting to one’s ancestral lineage.