Friday July 16 * doors at 630 / music at 7 * outside at Rhizome * TICKETS
Tony Martucci has cultivated an original and interpretive drum style that is both supportive and interactive, reflecting his deep understanding of the jazz tradition and his vast stylistic influence. He is a creatively skilled accompanist and a soloist of unusual melodic depth. A partial list of his credits include work with the following musicians: Mose Allison, Gary Burton, Charlie Byrd, Eddie Daniels, George Garzone, Joe Henderson, Fred Hersch, Steve Kessler, The Jose Limon Dance Company, Joe Lovano, James Moody, Don Patterson, Dewey Redman, Joshua Redman, Sonny Stitt, Dave Valentin, Kenny Werner and Glenn Wilson. Tony is also a member of the Russian-American joint venture jazz group "Partners In Time" (formerly known as "Jazznost") founded in 1990 by Louis Scherr. The group has recorded two Albums on CD, toured and performed at concerts in the US, Russia, Canada and throughout Europe. Tony Also formed a co-op trio with fellow Washingtonians, pianist Louis Scherr and bassist Tommy Cecil. Together the trio has delighted audiences at concerts and festivals on four continents, including performances at the Monterey Jazz Festival and the North Seas Jazz festival. Their recording, "Warm Valley" which featured Joe Henderson, was awarded four stars in Down Beat Magazine. dcist.com/story/17/07/05/tony-martucci-taps-into-his-roots-o/
Sarah Marie Hughes is a performing artist and visual artist currently living in Baltimore, MD. She plays the saxophone, flute, and clarinet and also creates on the guitar and piano. Sarah utilizes electronics to augment her vocal and instrumental sounds. Sarah's improvising vocabulary is influenced by jazz music and contemporary improvisation. Sarah has performed extensively in various concert settings in venues throughout Washington DC and Baltimore, with occasional concert performances in NYC and Chicago. Before studying jazz formally at NEC, she shared the stage with an impressive list of jazz luminaries, including but not limited to Lee Konitz, Dan Tepfer, Matt Wilson, Freddie Redd, Grachan Monchur III, Mary Halvorson, Jamie Branch, Andrew Cyrille, Alison Miller, and Ted Brown. After graduating from NEC, Sarah continued to have opportunities to share the stage and bills with great improvisers, including Joe Morris, William Parker, Hamid Drake, Daniel Carter, and Fay Victor. In 2015 she traveled to Sweden with Amy K. Bormet's ensemble Ephemera, to participate in their first Women in Jazz Festival. In 2018 Sarah released her first album, Coy Fish, containing free improvisation and poetry, with Sam Burt on daxophone, Daniel Ostrow on bass, and Nate Scheible on drums. In 2019 Sarah released her second album, The Drag, which included Sam Burt on bass clarinet, Steve Arnold on bass, and Joseph Leo Arkfeld on moog. The album includes performances of Sarah's graphic scores and improvised singing/reading of her poetry. sarahmariehughes.com/
John Lee plays the guitar with biting power, flowing groove, and a fluency that reflects his wide range of influences. The Washington, D.C.-based guitarist, composer and bandleader draws inspiration from jazz, blues, Indian classical, alternative rock and Malian music, but his work extends beyond all boundaries. chineseirishman.bandcamp.com/
Walsh Kunkel is a guitarist, composer and electronic musician hailing from Baltimore, Maryland. Walsh has spent his youth organizing and experimenting with sound and song form, writing and producing tracks of an array of styles. These abilities and interests have been augmented by the Jazz Performance program at Towson University where he studied with the likes of Anthony Pirog, Kris Davis, Drew Gress, William Parker and many more. With a focus on combining electronic and acoustic music styles, Walsh Kunkel is forging his own sound and searching for ways to express his views of the world through his work. Walsh’s first self-produced single “Song For Evening Lights” is now available through his independent record label Shiny Boy Press.
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No parking on site — street parking only. 3 blocks from Takoma Metro.
If you aren't vaccinated, wear a mask, per CDC guidelines.
If you feel sick, stay home.
The house will be open to see the exhibits and use the bathroom.
If you buy a ticket you are agreeing to abide by these policies.