EXHIBITING FAILURE: October 6-28, 2024
What can failure offer when success in our current extractive colonial-capitalist society is destructive and exploitative?
EXHIBITING FAILURE is an unorthodox celebration of artworks that have been rejected. As a joyful resistance to empire, capitalism, militarism and genocide, this show celebrates cherished gems that didn’t make the empire cut. The exhibit includes multimedia, 2D visual art, sculpture, poetry and performance-based art. EXHIBITING FAILURE has been a rejectionless process, with the goal of showing every submission in some way.
On view at Rhizome from October 6 - 28, 2024
OPENING EVENT: Sunday, October 6, 4:00 - 6:00 p.m. - RSVP with donation requested
CLOSING EVENT: Monday, October 28, 6:00 - 9:00 p.m. - RSVP with donation requested
OPEN HOURS: by appointment - info@rhizomedc.org
Both events will feature performances, a chance to meet the artists, and light refreshments.
Tickets can be purchased online or at the door. Proceeds from the closing will be donated to the Sudanese American Physicians Association and Palestinian Children's Relief Fund, with a small percentage going to Rhizome DC, this unique volunteer-run community-based inclusive art space!
Closing event artist performances including poet and crochet artist, Dwayne Lawson-Brown "trimming" his Chocolate City Wishing Tree with new wishes, Maggie Letvin with a striking unique bodily performance on trans rights, the band Rope from Baltimore, and headline from DC's incredible performance drag artist Hennessxy.
We strongly urge you to wear a fitted mask at the event.
The gallery space at Rhizome is not an accessible venue. Works will be displayed on the second floor, only accessible by stairs. Some performances at the opening and closing events will occur on the first floor, which is accessible via a ramp. For access questions, contact fidthompson@gmail.com. Portions of both events will be livestreamed on Rhizome’s Instagram page for those interested in viewing virtually.
This exhibit is curated by Fid Thompson, with support from the Washington Project for the Arts 2024 Wherewithal grant.