Wednesday June 5 * 7pm * $20-25 * TICKETS

Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her deeply original work applies elements of minimalism, electronic music, drone, and 20th century classical music to compositions based on blues, jazz, gospel and country music, re-imagining the landscape of American music. The New Yorker calls Anderson "one of the most distinctive guitar players of her generation," while NPR refers to her as among "this era’s most powerful players." Her work has been featured in Billboard, Rolling Stone, NPR, SPIN, Pitchfork, the BBC and The Wire. Festival appearances include Big Ears, Pitchfork Midwinter, Le Guess Who and the Copenhagen Jazz Festival.

In addition to her solo work, Anderson is sought after as a collaborator and composer. Swallowtail, her second record in duo with drummer Jim White, will be released May 10 on Thrill Jockey Records. 2024 also sees the release of the feature film score, A Perfect Day For Caribou, as well as appearances on records by Charlie Parr, Myriam Gendron and Big|Brave. Past projects include 2021’s Lost Futures with guitarist William Tyler, and contributions to recordings by Matmos, Tara Jane O’Neil, Beth Ditto, Sharon Van Etten and Circuit Des Yeux, among others.

Classically trained, Anderson honed her skills playing in country, jazz and circus bands. and currently tours extensively throughout Europe and North America.

Kajwan Ziaoddini started performing Santour in 1998. He earned his master’s degree in Iranian classical music at the University of Tehran. As a musician, he has collaborated with several Iranian ensembles such as Eghbal, Ravian, and Hamnavazan, and has contributed to five albums: From the Saba’s Rose Garden, Hashtrud, Delkesh, Goshayesh, and Nowbang. Kajwan is a faculty of the music department at the University of Kurdistan, Iran, and currently is a PhD student in ethnomusicology at the University of Maryland.